Indie animation king Bill Plympton's latest feature, Cheatin', tells the loopy love story of Jake and Ella, and how their perfect romance fractured. Reporter Jon Kalish visited Plympton in his studio.
Super Troopers is one of the silliest movies in the pantheon of cult comedies and the film's creators have raised more than $3.5 million for a sequel through crowdfunding.
In 1966, Jim Grimsley's North Carolina school was integrated. NPR's Tamara Keith talks to Grimsley and one of his first black classmates, Donnie Meadows, about Grimsley's book, How I Shed My Skin.
Super Troopers is one of the silliest movies in the pantheon of cult comedies. Now its makers have raised more than $2 million for a sequel. NPR's Tamara Keith talks to director Jay Chandresekhar.
Jón Gnarr, the punk rocker turned mayor of Rekjavík, paints a beautiful but disturbing portrait of a misfit childhood in his new novel. Critic Michael Schaub calls it hypnotic and heartbreaking.
Mulgrew played Captain Janeway on Star Trek: Voyager and is a formidable kitchen manager on Orange Is the New Black. But her personal story is more dramatic than any she's ever played on screen.
A rare exhibition at New York's Museum of Modern Art features 60 paintings by Jacob Lawrence about the journey of 6 million African-Americans, who fled the segregated South during the Great Migration.
Dr. Kevin Fong explores how humans survive extremes of heat, cold, outer space and deep sea. He compares the exploration of medicine with the "explorers of the 20th century and every age before them."
Juliette Binoche plays an aging movie star who's about to appear in a play opposite an infamous young Hollywood actress. It's a hall of mirrors that sounds convoluted in the telling, but plays easily.
The eggplant emoji has become a favorite of salacious sexters. To rescue its sullied rep, we turn to our emoji keyboards and conjure recipes to highlight the fruit's, ahem, culinary attributes.
This week's show is all about FX's new Billy Crystal/Josh Gad comedy, the uses and misuses of cameo appearances, and what's making us happy this week.
HBO's Game of Thrones, Veep and Silicon Valley all start new seasons Sunday. NPR TV critic Eric Deggans says these three shows just might form the best Sunday night lineup on TV this spring.
An exhibit at the Library of Congress is devoted to the art of theatrical design. Drawings, sketches, watercolors, posters and scale models reveal how magic and spectacle are achieved before our eyes.
In her new book, Cokie Roberts explains how women like Mary Todd Lincoln and Jessie Benton Fremont influenced Washington's men of power when they weren't even allowed to vote.
For the first time, two black dancers will star in a major American production of Swan Lake. NPR's Elizabeth Blair peeks behind the curtain to see why it has been so hard for ballet to diversify.
Ella Taylor says this heartfelt first feature appears at the beginning to be trafficking in cliches about teenage girls, but it ultimately asks questions about secrecy and the growth of public fear.
Andrew Lapin says the bloody Australian black comedy wants to be a genre caper, but can't quite hit the right notes.
The drama from director Oliver Assayas is the rare work that can hold opposite ideas in tension, refuse to fully resolve them, and be entirely satisfying nonetheless, says Tomas Hachard.
Mark Jenkins says the new artificial intelligence film Ex Machina is diverting, but ultimately comes to a predictable and unsatisfying conclusion.
PCHH pal and book enthusiast Barrie Hardymon joins us to talk Tudors, historical fiction, and expressive eyebrow acting.