Brass, Reeds, and Percussion

Brass, Reeds, and Percussion (BRP) airs every Saturday at 1 p.m. Follow Brass, Reeds and Percussion on Facebook.

Brass, Reeds, and Percussion (BRP)—as the name suggests—is a program about music for the wind band (as opposed to the orchestra).  The program features music composed for the instruments of the typical American high school band or the typical American military band. Brass, Reeds and Percussion also provides information about local wind band performances, players and history.

About the Host

John Hightower is a “recovering” high school band member, as well as a “recovering” top-40 disc jockey.  From 1969 to 1975, while in college, he worked at WSSO and WSMU-FM in Starkville, Mississippi, and WSUH and WOOR-FM in Oxford, Mississippi.  Born and reared in Natchez, Mississippi, John has a degree in communications from Mississippi State University (1972) and law degree from the University of Mississippi (1975).

Brass, Reeds, and Percussion is WLRH’s longest running program, started in 1976 by musician Darryl Adams, who used this hourly program to share a love of John Phillips Sousa marches, wind band peformances and seasonal celebrations ... his St. Patrick's Day episode was always a hit. WLRH's earliest roots thrives thanks to Darryl sharing his energy and talents with our Tennessee Valley listening community. Darryl was a rare champion for music who helped start one of WLRH's greatest traditions. We'll always be proud to have his association.

Darryl G. Adams, March 30,1939 - October 18, 2011

Local Wind Bands

U.S. Army Materiel Command Band

Twickenham Winds

Brass Band of Huntsville

Rocket City Jazz Orchestra

Old Towne Brass

Huntsville Concert Band

 

Madison Community Band

Shoals Community Concert Band

The Rocketeers Drum and Bugle Corps

 

Local College Bands:

Alabama A&M University Band 

University of Alabama in Huntsville Wind Ensemble

University of North Alabama Bands

 

 

High School Bands and Orchestras ... 

Bob Jones High School Band

Grissom High School Band

Huntsville High School Band

Meridianville Middle School Band

Hazel Green High School Band

Johnson High School Band

James Clemons High School Band

Austin High School Band

Sparkman High School Band

Lee High School Band

Buckhorn High School Band

Madison County High School Band

New Hope High School Band

If your musical organization is not listed on our page, please send contact information to John Hightower at mht10951@aol.com.

To arrange to have your event announced on BRP, e-mail John Hightower at mht10951@aol.com or you can submit your non-profit event to our website. To arrange for a public service announcement to run throughout WLRH’s broadcast day, e-mail PSA Requests at psa@wlrh.org. Please allow AT LEAST five weeks advance notice for all PSA requests.

 

Brass, Reeds, and Percussion (March 12, 2016)

Saturday, March 12, 2016

Camille Saint-Saens was French composer who lived from 1835 to 1921.  He was born in Paris and  was a musical prodigy who performed his first public concert at age 10.  His instruments were the organ and piano. Today’s edition of Brass, Reeds features Saint-Saens’ Caprice, opus 79, for flute, oboe, clarinet, and piano, written for his tour of Russia in 1887.  It is performed by the Ensemble Villa Musica of Germany.

Brass, Reeds, and Percussion (March 5, 2016)

Saturday, March 5, 2016

In 1831, Johann Sobeck was born in Karlsbad, in what is now the northwestern corner of the Czech Republic.  He studied for 12 years at the Prague Conservatory and became a virtuoso clarinet player.  Eventually, he moved to Hannover, Germany, and became a member of the Royal Theater Orchestra, where he worked for over 50 years.  Although he wrote a large number of fantasies based on opera themes and similar works, perhaps his most outstanding works are four woodwind quintets.

Brass, Reeds, and Percussion: February 27, 2016

Saturday, February 27, 2016

Born in Madgeburg, Germany, in 1681, Georg Telemann was considered one of the most important composers of his day.  He knew both Bach and Handel, who bought and studied Telemann’s  published works. Telemann composed his first opera at age 12, in secret, because parents didn’t want him to be a musician.  When Telemann was sent away to school, his talent was encouraged.  In addition to the organ, he learned to play the flute, oboe, violin, recorder, double bass, and several other instruments.  He composed over 3,000 works.

Brass, Reeds, and Percussion (February 20, 2016)

Saturday, February 20, 2016

When he was 23 years old, Carl Maria von Weber composed a one-act comedic opera called “Abu Hassan.”  It’s a story about a conniving, broke married couple who attempts to use their connections with the caliph of Bagdad to get money to pay their bills.  But Abu Hassan snookers his richest creditor Omar into paying the bills.  Today, we begin Brass, Reeds, and Percussion with the overture to the opera “Abu Hassan.”  No, you won’t be hearing the orchestra version of this overture.

Brass, Reeds, and Percussion: Black History Month Edition (February 13, 2016)

Saturday, February 13, 2016

Mostly likely born in 1898, Clarence Williams ran away from home at age 12 to join a minstrel show.  At the time, he lived in Placquemine, Louisiana, where he was born.  He moved to New Orleans and eventually started his own music-publishing house.  In the 1920s, the publishing house was the leading music publisher owned by African Americans.  He produced and participated in early recordings by Louis Armstrong, Sidney Bechet, and Bessie Smith, among many other African-American performers.

Brass, Reeds, and Percussion: Mardi Gras Edition (February 6, 2016)

Saturday, February 6, 2016

It’s time for the Mardi Gras edition of Brass, Reeds, and Percussion.  New Orleans is famous for it’s Jazz funerals.  In a traditional jazz funeral, the band plays a dirge on the way to the cemetery.  Once the funeral is completed and the deceased is “let loose,” the band plays an up-tempo number to celebrate the life of the deceased.  Today’s show will begin two typical compositions played at New Orleans Jazz Funerals.  First, we will hear “Just a Closer Walk With Thee,” followed by “When the Saints Go Marching In.” 

Brass, Reeds, and Percussion (January 30, 2016)

Saturday, January 30, 2016

This edition of Brass, Reeds, and Percussion features the jazz standard “Sweet Georgia Brown” — composed by Maceo Pinkard, an African-American composer born in Bluefield, West Virginia, in 1897. The idea for the song and the lyrics were inspired by band leader Ben Bernie after hearing from his acquaintance Dr. Thaddeus Brown that he and his wife had a baby girl. Dr. Brown was a member of the Georgia State Legislature; and allegedly, the legislature passed a proclamation the baby was named after the state.

Brass, Reeds, and Percussion (January 23, 2016)

Saturday, January 23, 2016

This edition of Brass, Reeds, and Percussion begins with "Death or Glory," composed by Robert B. Hall, the march king of Maine.  Hall is so popular in Britain, that the British think he's a British composer, but he was born in the United States and spent most of his musical career in the northeastern part of the United States.

Brass, Reeds, and Percussion (January 16, 2016)

Saturday, January 16, 2016

Born in Pittsburgh, Billy May (1916-2004) had a big hit sung by Mel Blanc in a 1950 cartoon:  “I Tawt I Taw a Puddy Tat.”  But he also composed many themes for television  shows:  “Mod Squad” (1968), “Batman” (1967), and “The Naked City” (1960).  During the 1930s, he was arranger for Charlie Barnet, Glenn Miller, and Les Brown.

Brass, Reeds, and Percussion (January 9, 2016)

Saturday, January 9, 2016

Born in  approximately 1990, James Dunlop plays the clarinet in the Band of Her Majesty’s Marines Portsmouth.  He is also an up-and-coming composer, having composed music for films, plays, choruses, orchestras, and wind bands.  His first choral album Ascension has just been published.  Today’s edition of Brass, Reeds, and Percussion features his composition Rise of the Royals, which was premiered at the Royal Albert Hall in 2014 by the Band of Her Majesty’s Marines.

Brass, Reeds, and Percussion (January 2, 2016)

Saturday, January 2, 2016

One of the war horses of band music is the Light Cavalry Overture, by Franz von Suppé. His father never encouraged von Suppé to become a musician, but the local bandmaster did.  Living from 1819 to 1895, he composed over four dozen operettas—hardly any of which are performed these days. Nevertheless, his music remains alive in three places:  transcriptions of his works into band music; on the program of pops concerts, such as those conducted by the Boston Pops; and in cartoons featuring Bugs Bunny, Popeye, Mickey Mouse, and Dudley Dooright.

Brass, Reeds, and Percussion (December 26, 2015)

Saturday, December 26, 2015

Shall we dance?  That’s the musical question Brass, Reeds, and Percussion answers today.  Indeed, we begin today’s edition with the composition by that name, composed by Richard Rodgers, who lived from 1902 to 1972.  Rodgers is one of only two popular music composers to win an Emmy, a Grammy, an Oscar, and a Tony.  In addition, Rodgers won a Pulitzer Prize for his work.  In preparation for New Years Eve, we begin Brass, Reeds, and Percussion with the Kokyo Kosei Wind Orchestra performing their version of Richard Rodgers’ Shall We Dance.

 

Brass, Reeds, and Percussion (December 19, 2015): Christmas Edition

Saturday, December 19, 2015

Advent is the liturgical season that emphasizes the expectant coming of the messiah.  The predominate feeling is one of anticipation, and advent hymn have been written for this period.  Today’s edition will feature Sleepers, Awake, written by Philip Nicolai, a Lutheran hymn composer and writer.  It was first published in 1599 and was made famous by Johan Sebatian Bach’s cantata Awake, Calls the Voice to Us, BWV 140.

Brass, Reeds, and Percussion (December 12, 2015)

Saturday, December 12, 2015

Wilhelm Zehle was a German wind-band composer of what are considered British marches.  How did that happen?  He participated in a march-writing competition sponsored by the British music publisher Boosey & Hawkes and won four times.  The British publisher gave his German marches patriotic British names to sell them, such names as "Viscount Nelson," "Trafalgar," and "Wellington."  Wilhelm Zehle lived from 1876 to 1956 and played trumpet and cornet in a German military band.  He went to China for Boxer Rebellion circa 1900.

 

Brass, Reeds, and Percussion (December 5, 2015)

Saturday, December 5, 2015

Machlast is an Austrian folk music band.  Well, actually, the band combines traditional German folk music with rock and roll.  So it’s more like the Beatles meets a German polka band.

Brass, Reeds, and Percussion (November 28, 2015)

Saturday, November 28, 2015

Synesthesia is the act of associated one sense with another, as in "That music sounds blue."  Gilbert Vinter, a British composer who lived from 1909 to 1969, wrote a synesthetic work called Spectrum in 1968.  In 1969, it was used as a test piece for the Brass Band contest sponsored by the Daily Herald newspaper.  Each section is named after a color:  red, orange, yellow, green blue, indigo, and purple; and it has violent mood swings.

Brass, Reeds, and Percussion: Thanksgiving Edition (November 21, 2015)

Saturday, November 21, 2015

Born in Boston in 1746, William Billings is one of America’s first major composers.  When his father died when Billings was 14, he became a tanner.  Musically, he was self taught and was apparently addicted to snuff. A contemporary described him as being of moderate size.  One leg was shorter than the other and he was blind in one eye.  Nevertheless, he spoke, sang, and thought as a manner above common abilities.  William Billings Thanksgiving Hymn is featured on today’s edition of Brass, Reeds, and Percussion.

Brass, Reeds, and Percussion (November 14, 2015)

Saturday, November 14, 2015

Sackbuts are the ancestors of trombones.  They typically have a smaller bore and a less flared bell.  Sackbuts are, in turn, the descendants of the slide trumpet, which first makes its appearance around 1420 in Italy.  Schawms are the ancestors of oboes.  The schawm has a cylindrical bore and uses a double reed.  It was imported into Europe around 800, probably from Muslim countries to the east.  It also resembles Indian, Chinese, and Japanese instruments from the same period.  Today's edition of Brass, Reeds, and Percussion begins with Renaissance wind-ban

Brass, Reeds, and Percussion (November 7, 2015)

Saturday, November 7, 2015

Vittorio Giannini was an Italian American born in Philadelphia in 1903.  His mother taught him how to play the violin.  His father was an opera singer as were his two sisters.  He composed at least two major operas and several radio operas.  After attending the Milan Conservatory in Italy, he received a graduate degree from the Juliard School in New York City.  He taught at the Manhattan School of Music and at the Curtis Music Institute in Philadelphia.  Among his students was Herbie Hancock, John Corigliano, and Alfred Reed.  In addition to composing operas, he composed sy

Brass, Reeds, and Percussion (October 31, 2015)

Saturday, October 31, 2015

Living from 1797 to 1857, Johann Gottfried Rode was director of the hunter guards band of the Prussian King.  He was the chief forest horn player.  Rode composed or arranged 2,935 pieces of music.  He introduced valve instruments into the Prussian military band.  We begin today’s edition of Brass, Reeds, and Percussion with one of Rode’s arrangements of a German melody from around 1763.  In English, it’s called the “Hunter from Kurpfalz.” Kurpfalz is the area of Germany that has the major cities of Heidelberg, Düsseldorf, and Mannheim.  Jager is the German word for

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